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        <title>Whitney Museum</title>
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        <pubDate>Wed, 19 Jun 2013 10:29:12 GMT</pubDate>
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            <title>Robert Irwin in 1977. Re-installation at the Whitney Museum of...</title>
            <link>http://waavedada.tumblr.com/post/53303536760</link>
            <description>&lt;p&gt;&lt;font color="Gray"&gt;Source: waavedada.tumblr.com --- Tuesday, June 18, 2013&lt;/font&gt;&lt;br /&gt;Robert Irwin in 1977. Re-installation at the &lt;b&gt;Whitney&lt;/b&gt; &lt;b&gt;Museum&lt;/b&gt; of American Art through Sept. 1. ...&lt;/p&gt;</description>
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            <pubDate>Tue, 18 Jun 2013 21:01:04 GMT</pubDate>
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            <title>Hit the Beach with Kenny Scharf (and the Whitney Museum)</title>
            <link>http://www.mediabistro.com/unbeige/hit-the-beach-with-kenny-scharf-and-the-whitney-museum_b29687</link>
            <description>&lt;p&gt;&lt;font color="Gray"&gt;Source: www.mediabistro.com --- Tuesday, June 18, 2013&lt;/font&gt;&lt;br /&gt;&lt;img src="http://www.mediabistro.com/unbeige/files/2013/06/hotdog.jpg" &amp; width="150" &amp; height="82" style="margin: 5pt 10px 0px 0px; float: left;"  border="1" align="left" alt="" /&gt;The UnBeige summer cottage lacks a proximal beach, pool, swimming hole, pond, or water feature of any sort, and yet we’ve long craved this inner tube in the form of a donut (complete with sprinkles and a notched “bite”) for its resemblance to a work by Kenny Scharf . And so imagine our delight upon learning that the &lt;b&gt;Whitney&lt;/b&gt; &lt;b&gt;Museum&lt;/b&gt; was cooking up some summer treats with the artist himself. With this pair of exclusive-to-the-&lt;b&gt;Whitney&lt;/b&gt;-Shop products, art lovers can float their cares away on a whimsical yet possibly demonic inflatable pool toy –inspired by a Scharfian scheme for an unrealized public art project–and then dry off with the beach towel , nearly six feet of colorful cotton printed with Scharf’s 2008 painting “Introducing…. The Hot Dog.” New Career Opportunities Daily: The best jobs in media . ...&lt;/p&gt;</description>
            <guid>http://www.mediabistro.com/unbeige/hit-the-beach-with-kenny-scharf-and-the-whitney-museum_b29687</guid>
            <pubDate>Tue, 18 Jun 2013 18:26:10 GMT</pubDate>
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            <title>Whitney Museum Screens Ashley Hunt’s Prison Documentary Corrections</title>
            <link>http://feeds.calarts.edu/~r/calartsblog/~3/ggPtxbStFYg/</link>
            <description>&lt;p&gt;&lt;font color="Gray"&gt;Source: blog.calarts.edu --- Monday, June 17, 2013&lt;/font&gt;&lt;br /&gt;&lt;img src="http://blog.calarts.edu/wp-content/uploads/2013/06/hunt_1140.jpg" &amp; width="150" &amp; height="129" style="margin: 5pt 10px 0px 0px; float: left;"  border="1" align="left" alt="" /&gt;On Tuesday (June 18), artist, filmmaker and co-director of the CalArts Program in Photography and Media Ashley Hunt screens his 57-minute film, Corrections , at The Kitchen in New York. Presented by the &lt;b&gt;Whitney&lt;/b&gt; &lt;b&gt;Museum&lt;/b&gt;’s Independent Study Program , the 2001 film is accompanied by an introduction by writer Nathan Schneider . The film is part of an ongoing interdisciplinary project The Corrections Documentary Project , in which Hunt investigates the institution of the prison, and more specifically, how incarceration helps structure and preserve racial and economic divisions within society. The film looks at the privatization of the prison system, “exposing the conflict between for-profit corporations focused on pleasing investors and the communities which must deal with the consequences of high incarceration rates.” More from the &lt;b&gt;Whitney&lt;/b&gt; &lt;b&gt;Museum&lt;/b&gt; : Probing further to explore links between political campaign strategies and the increasing penalties for nonviolent crimes, Hunt uncovers a complex system of desires and incentives that lie behind the growth of the American prison system. In the process, incarceration emerges as a means of maintaining the status quo in times of social change. At times darkly humorous and devastatingly pointed, Hunt reminds us of the ulterior motives that warp the rule of law to impinge upon freedom in the name of order, and the dangers of turning a blind eye to the consequences. Schneider, who will introduce ...&lt;/p&gt;</description>
            <guid>http://feeds.calarts.edu/~r/calartsblog/~3/ggPtxbStFYg/</guid>
            <pubDate>Tue, 18 Jun 2013 00:00:42 GMT</pubDate>
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            <title>We're reinstalling "Scrim veil-Black rectangle-Natural light, Whitney Museum of...</title>
            <link>http://www.facebook.com/whitneymuseum/posts/10151432152251433</link>
            <description>&lt;p&gt;&lt;font color="Gray"&gt;Source: www.facebook.com --- Monday, June 17, 2013&lt;/font&gt;&lt;br /&gt;We're reinstalling "Scrim veil-Black rectangle-Natural light, &lt;b&gt;Whitney&lt;/b&gt; &lt;b&gt;Museum&lt;/b&gt; of American Art, New York," the large-scale work that Robert Irwin created specifically for the fourth floor of the &lt;b&gt;Museum&lt;/b&gt; in 1977. The artist spoke with The New York Times about resurrecting the work, which opens June 27. Back at the &lt;b&gt;Whitney&lt;/b&gt;, Tinkering With Perception www.nytimes.com Robert Irwin’s installation “Scrim Veil — Black Rectangle — Natural Light,” last seen on the &lt;b&gt;Whitney&lt;/b&gt; &lt;b&gt;Museum&lt;/b&gt;’s fourth floor in 1977, will be back through Sept. 1. ...&lt;/p&gt;</description>
            <guid>http://www.facebook.com/whitneymuseum/posts/10151432152251433</guid>
            <pubDate>Mon, 17 Jun 2013 14:49:26 GMT</pubDate>
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            <title>ALEX KATZ: Selections from the Whitney Museum of American Art</title>
            <link>http://www.artfixdaily.com/artwire/release/1386-alex-katz-selections-from-the-whitney-museum-of-american-art</link>
            <description>&lt;p&gt;&lt;font color="Gray"&gt;Source: www.artfixdaily.com --- Monday, June 17, 2013&lt;/font&gt;&lt;br /&gt;Nassau County &lt;b&gt;Museum&lt;/b&gt; of Art presents a solo exhibition of works by Alex Katz, one of America’s most important and honored living artists. Alex Katz: Selections from the &lt;b&gt;Whitney&lt;/b&gt; &lt;b&gt;Museum&lt;/b&gt; of American Art opens on June 29 and remains on view through October 13, 2013. This exhibition includes the enormous and brilliantly-colored portraits of family and friends that are a hallmark of the artist’s career as well as early landscapes and collages. The presentation draws upon the &lt;b&gt;Whitney&lt;/b&gt;’s extensive ... ...&lt;/p&gt;</description>
            <guid>http://www.artfixdaily.com/artwire/release/1386-alex-katz-selections-from-the-whitney-museum-of-american-art</guid>
            <pubDate>Mon, 17 Jun 2013 07:00:00 GMT</pubDate>
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