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We often think: Either director Uwe Boll doesn't get it, or he really, really gets it. Bad flick after bad flick, yet Uwe Boll keeps getting his game-to-film adaptations made. And the man's got loads of opinions about the movie industry, what's wrong with it, and how he can make it better. From Boll's self-penned written rant titled "The Film market — or THERE IS NO MONEY IN MOVIES": I will stop here before I start writing about totally overpaid agents, managers, agents, and studio executives in L.A. living in airballoons as long they can rip money out of the world outside of L.A. or the major companies. If I would run a studio I would do the same movies for half of the production costs in throwing the cokeheads out and cutting the bullshit of breakfast, lunch, and dinner meetings with idiots who never made a movie in their life. I can shoot a movie like Fantastic Four 2 in half of the time for half of the money shot by shot. Boll breaks down the problems with the film industry and what he can do to help. (And no, it's not stop making movies. DAMMIT.) • 20 years ago maybe three movies came out every week. Now 6 to 10. • In earlier days you had 5 to 10 event movies per year. Now you have 40. And they destroy the medium movies. Not because they are good! Because they are so expensive and spending so much money in p&a to win their weekends and to win market share. • In 1999 piracy maybe destroyed 5% of the revenues — now 40%. Why? Be ...
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We often think: Either director Uwe Boll doesn't get it, or he really, really gets it. Bad flick after bad flick, yet Uwe Boll keeps getting his game-to-film adaptations made. And the man's got loads of opinions about the movie industry, what's wrong with it, and how he can make it better. From Boll's self-penned written rant titled "The Film market — or THERE IS NO MONEY IN MOVIES": I will stop here before I start writing about totally overpaid agents, managers, agents, and studio executives in L.A. living in airballoons as long they can rip money out of the world outside of L.A. or the major companies. If I would run a studio I would do the same movies for half of the production costs in throwing the cokeheads out and cutting the bullshit of breakfast, lunch, and dinner meetings with idiots who never made a movie in their life. I can shoot a movie like Fantastic Four 2 in half of the time for half of the money shot by shot. Boll breaks down the problems with the film industry and what he can do to help. (And no, it's not stop making movies. DAMMIT.) • 20 years ago maybe three movies came out every week. Now 6 to 10. • In earlier days you had 5 to 10 event movies per year. Now you have 40. And they destroy the medium movies. Not because they are good! Because they are so expensive and spending so much money in p&a to win their weekends and to win market share. • In 1999 piracy maybe destroyed 5% of the revenues — now 40%. Why? Be ...