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FeedRank: 3/10  3/10  Fair  ---  killthesnark.blogspot.com
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Thursday, May 08, 2008 --- 79 days ago
Metropolis (Japan, 2001) * * * 1/2 D: Rintaro "This comes of trifling with robots." -Tima, Metropolis (2001) When Metropolis was released in 2001, anticipation and expectation among anime fans could not be higher. It was a dream collaboration among three of the brightest and most imaginative minds of Japanese animation and manga: the director was Rintaro (Galaxy Express 999), the screenwriter was Katsuhiro Otomo (Akira), and the work he was adapting was a seminal manga by Osamu Tezuka (Astro Boy). It might be understandable, then, that reaction was positive but a bit muted; other than hyperbolic praise from director James Cameron, it seemed that most critics found it to be not much more than attractive eye candy, and many anime fans only allowed themselves the epiphany that they had been won over from the Otomo school to the Miyazaki academy a long time ago. Indeed, Metropolis was released the same year as Miyazaki's Spirited Away, which was nominated for the Academy Award for Best Animated Film, and won. The charms Metropolis had to offer--spectacle, sci-fi noir, existential questioning--seemed old school, no matter how well it presented them. Indeed, that was kind of the point. Metropolis, for all its futurism, had its gaze set firmly toward bygone eras. The classic Tezuka book upon which it was based was published in 1949, and apart from retaining the outdated look of Tezuka's characters, Rintaro and Otomo see fit to ...




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